Willie: An Autobiography, by Willie Nelson, with Bud Shrake New York: Simon & Schuster, 1988 |
It’s a Long Story: My Life, by Willie Nelson, with David Ritz New York: Little, Brown & Co., 2015 |
The 1988
book is organized into eight parts, each of the parts is named after a song
Willie wrote and loosely reflects the content of that section: Let Me
Be a Man, Family Bible, Night Live, Write Your Own Song, I Gotta Get Drunk and
I Sure Do Dread It, It’s Not Supposed to Be That Way, On the Road Again,
and The Healing Hands of Time. Each section contains one or more “chapters,”
which is Willie’s voice telling about that part of his life, followed by a “chorus,”
stories told by someone else—his sister Bobbie, an ex-wife, an old friend or
colleague. There are two groupings of
photographs, plus an index.
The more
recent autobiography is divided into five parts, has two sections of
photographs and an index. The whole book
is in Willie’s voice. Some of the
stories are the same as in book one but recollected differently, e.g. the time
that Willie was working for a tree trimming company and fell 40 feet from a
tree. His friend in the first book
remembered it one way, and Willie said he recalled it differently in the second
book. There are several such examples of
differing accounts of the same incident in the two books.
After
reading both of these books, I can rattle off Willie’s wives’ names (Martha,
Shirley, Connie and Annie), the number of children he had with each and other
details of his personal life. A few
years ago, tragically his oldest son committed suicide. I know about his and Bobbie’s early
upbringing and his lack of animosity toward his parents for leaving him
and Bobbie to be raised by his dad’s parents, his early career, the business
and art of songwriting, his passion for golf, his support for family farmers, and
his life on the road performing. Of
course, Willie’s use of and support for marijuana is covered in both books.
I especially
enjoyed Willie’s talking about his songwriting and creativity. In his recent book, Willie says:Well, songs come easy to me. I’ve written hundreds of them. I see them as little stories that fall out of our lives and imaginations. If I have to struggle to write a song, I stop before I start. I figure if it don’t flow easy, it’s not meant to be….The truth should flow easy. Same for songs and stories. If you overanalyze or torture yourself to bring them to life, something’s wrong.
Willie is
also a spiritual man, not as traditionally religious as he was in his younger
days, but he writes about his faith and beliefs in his first book:
You can bring divine energy into your
lungs by breathing. Feel the beat of
your heart. It is holy light. When you become conscious of the Master in
your heart, your whole life changes.
Your aura goes out and influences everything around you. You have free will to recognize it or to
blind yourself to it. Be quiet and ask
your heart. I mean, really shut up and
listen to your inner Voice. It will tell
you this is the truth.
I’ve heard
Willie Nelson perform several times—in Tennessee when I was in graduate school;
in Rapid City, South Dakota, at a concert to support the occupation of the
Black Hills by the Oglala Sioux; in Austin, Texas at a taping of a show for
public radio; and at a small rodeo arena in East Texas. There may have been other concerts along the
way that I’ve forgotten.
Willie says “telling stories has
kept me alive.” Since he turned 80, Willie has written a couple dozen new songs, recorded five new albums, and performed over 300 live concerts. I never tire of Willie
Nelson. He's one of a kind.
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